I am speaking all these because I
want to convey the message what are the interesting points those had been
disturbing me to shape this story or film “PHERIAA Come Back”. The film has not
come to public forum, hope very soon a preview screening is going to be held.
If you get the chance to watch this film then you will notice the following
points that will certainly give you a better taste.
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| A Still from Film Pheriaa Pritiraj Satpathy, Jina Samal Devadutta Pradhan, Shivani Khara, Hiranya and others |
First of all five characters have
been shaped as per the Pancha Bhoota. Praksah is Sky . He is idealistic and
aims as high as sky . You can mark him wearing a blue T shirt marked as Sky.
Jyoti, his wife is the next Bhoota –
Bhoodevi or Earth. She is tolerant,
a good mother, a good wife. Even she embraces all her sorrow to her heart. In
one dialogue it is being expressed by Uttam, she is closer to the village
people than Prakash is. Uttam is Prakash’s friend, is marked as Water (Apa),
only support of Prakash in the village. Jhoomuri is the village girl. She is AIR. Yes she can enter any ones house of
the village. In the song she also expresses that no one can catch her. Dandana the dishari is ‘Fire Agni’ . You can first mark him with heating an iron rod in fire and branding it on
a child’s belly (Chenka Chikitsa). Jugani is also again a FIRE Element in this
story. When you see her airing the broth to lit the fire she marks her fire
element in her charactor. And also She is a quarrelsome lady another fiery
element in her charactor.
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| A Still from Film Pheriaa Pritiraj and Jina Samal |
My aim was to give 3D shape to the
characters who will move as per their own nature own manner. The main lead
Prakash is such a type of character whom you might have seen in your day to day
life- Idealistic, dreamy and also somehow stubborn. He has intended to do something
great for his country- so he is idealistic- and has left his high salary job in America and
comes back to his village. Unless he is stubborn he could not have done it. He
is dreamy that he feels he would change the village in a day. He is short
tempered that he confronts and charges if he finds anything wrong. That may be
is his tragic flaw. So also you can find
nice depth of Jugani and her her husband Durya’s character. Which I should not
reveal it now but you can mark it when you watch the film.
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| A still from Pheriaa Pritiraj , Jina, Devadutta and Sarthak |
Pheriaa is a tribute to Jesus
Christ. Yes Jesus came to change the society but people crucified him. After
his death people cry to call him back. Here Prakash dies and you will find he
is lying stretching his two hands and one leg folded as if crucified, by the
people. You can mark it in the film. Yes this scene is very close to my heart.
In many good films you will always find a simpleton
child. Here Ripun Prakash’s son has a magical role in giving a pace to the
story. One time you will feel why this character is here but later you will
find Ripun is the key plot point . If
you ask why they don’t have a daughter, but a son ? why a son like in all usual
films. Yes, the family have been framed as per a real life story of Aashish and Ruta who have left their high salaried job
and come back to a village in Maharashtra and changed its picture. Even they
have given credit in the beginning
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| A still from film Pheriaa, a Durua tribal dance |
This is an Odia film. Odisha is
known for its rich tribal culture. So we have tried to keep the story fit in a
tribal backdrop. You will find tribal dance in it you will find tribal life and
the custom attached to it- Iron branding
treatment, murdering by the name of witch, animal sacrifice etc etc will be
seen in this film. Odisha’s number is second as per witchcraft related crimes,
Jharkhand is first. In my career in
journalism I have seen crime news related to witchcraft is always coming every
now and then to our table. That’s why I thought story of our film will be on
witchcraft crime. And also Pheriaa is a crime thriller. Marriage and death, these two inseparable
rituals are always in Indian life. Therefore many great films have marriage
scenes or death scenes. Yes there is a marriage scene in this film. A girl is getting
married to a dog. This is a unique tradition which is seen in tribal parts of
Odisha, Chattishgarh, Jharkhand and Bihar. This is very colorful scene of the
film. Naxalism is also a part of tribal part of Odisha. You will find this
element in this film .
Pheria is film of success and
failure. You will find someone has failed for some reason and someone is
succeeding for other reason.
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| Song Sequence Sagar and Shivani |
Pheriaa is an art film. Usually art
films were not having songs. But we thought to go like modern day art films. So
it is a new generation art house cinema. We have intentionally broke the linear
story telling format – in which story starts from the beginning point and ends
at the last point. But in my point of
view, story becomes more challenging when it moves in back and forward style, along
with flash backs or reverse story telling. And Pheriaa is moving like this way. During
story discussion we had an argument to end the story just after climax. But my
point of view was let’s give a different touch. And our story moves 10 minutes
more after climax. In that part the real message lies. I don’t know you will
like it or not.
One different touch that came to
Pheriaa is that it was shoot in complete natural circumstances. I had never
imagined this but it happened and made this film vibrant. Particularly the fair
in the last part was a real fair. And the motif music has been created by our
music director which is natural in tribal fair- that is called Gurmai in local language has been used
in this. One thing happened while we were shooting in a village of Koraput
Boriguma that music was played and we found some village women behaved
unnatural, they just rolled on the ground (thakurani cought hold them- they
claimed) and were out of control. Even we had to stop our shooting, and we
could not do this later.
Two favourite dialogues there
-ବାବୁ
ଏ ଗାଁରୁ ଅନ୍ଧାର ଦୂର କରିବା ଏତ ସହଜ କାତା ନୁଏଁ। ( Babu it is not so easy to wipe out darkness from this village.)
Actually he means it is not so easy to bring changes in these people who themselves
are in darkness.
ଗାଁ
ମୋ ବିନା ରହି ପାରିବ କିନ୍ତୁ ମୁଁ ଗାଁ ବିନା ରହିପାରିବନି,( The village can stay without
me but I can’t stay without this village.) This is very nostalgic dialogue when
I go to my own village. The village is as beautiful as it was without me.
Last and not least you will find a book in this film repeatedly.
That book is E-M Foster’s Where Angles
fear to Tread. Focus was not the book but its title. The real proverb is
Fools rushed in where angels fear to tread. It is my approach to my audience.
Many great persons have tried to make movies of their dream, sometimes people
have rejected them. Audience never care in what condition, in what budget, in
what toil and trouble a film has been made. They may reject it in a clique.
Like a fool I have rushed into making a film. My approach is if you find
anything nuisance please please don’t be catchy to all those mistakes Forgive
me. ସୁଜନେ
ନ ଧରିବ ଦୋଷ …..
